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Emotional Architecture - His house is in your head

What makes a house a home? Making bricks and boards to create a room that is comfortable and welcoming? Relaxation is a result of the finding of the paint color right? Does the feeling of being safe and secure comes from the choice of coatings wall, or final results from the hardware?

These questions seem frivolous on the surface, but after twenty years of helping people design construction and remodeling their homes, I am convinced that the understanding of "emotional architecture" to a customer brings to a project is a critical part design a house that feels like a "home".

In the architecture firm with which I am associated, we are trying to develop technology that adapts its projects to the true nature of our clients, but not easy.

The issue of "home" is highly emotional. Logic rarely comes into it. The fact is that when most people decided remodel your house or build a new house ... lose their minds!

It's true. Stable marriages, as palm trees down in the hurricane of improvement home. Pleasant, housewives become harpies Machiavellian cooperatives, the fight against husbands who promise to fight to death in the walls of his financial Alamos own.

Practical, down to earth CPA, suddenly realize they are the reincarnation of Frank Lloyd Wright. Clients lie on their budgets, trying negotiate with the designer as if they were buying a home in a hat salesman Tijuana.

Perfectly reasonable people who would ever say never your doctor how to treat a disease or his counsel as to draft their will think nothing of telling a professional architect how to design your home. The worst all, when people begin the process of designing a new home, they forget the basic laws of economics. Long ago discovered that when customers were over budget came to my office to "cut the fat" which were actually going to add a Jacuzzi, ceramic tile upgrade, change the plastic laminated granite countertops, and then expect the price down.

I began to wonder.

One day I experienced an epiphany. I was becoming a group of historic buildings in Round Top at a country inn. The Queen and my children were still in Houston. Every Monday morning I headed up to Round Top and then drove home to Houston every Friday night. In between, he slept on an air mattress on the second floor of an old wharf and the road home, one of several that were restored. Only whole week, I had much time to think. At night I sat in an old rocking chair on the porch table wood. I found myself inexplicably happy. All seemed well in the world as we shook that portal. I began to wonder why ... and soon discovered the source of my peace of mind inexplicable.

I remembered a place of my childhood ... my great-grandfather porch. I called him "Nandaddy. I can still see him dressed in overalls, bending to pick, with a wide smile on his face. "We embrace of my neck," he said. When I was a young child, I spent much time in my great-grandfather's porch. I can not remember a time in my life when I felt more loved or appreciated. He and my grandmother lived on a farm pier and beam in Milam County, Texas. It had a wooden porch table that surrounds the three sides.

Years later, the architectural features of a similar portico in Round Top unaware that brought back memories cherished. That there discovered a key feature of my emotional architecture! Suddenly I realized why I was returning to the historic restoration work, though, in fact, was less profitable than my construction companies. Then I realized that we all see the world through a wide range of national associations Most, but not all, of our childhood. This internal landscape determines how to react emotionally to the architecture around us.

Eight years later, I lived in another age farm. I felt happy and very comfortable. Built in the 1840s, was never really complete restoration. The ground floor was cold in the winter and upstairs a conservatory in the summer. Bugs find it easy to enter and the CA will easily come out. The old place needs maintenance constant.

You might think that these things would have been upset, but I sat at my door at night and think how lucky I am. You see, no more an old German farmhouse for me. It was the place that I raised my two children. The old walls held the performance felt at having been able to get out of the big city and make a new home in the country. My best girl slept in a bed that I made with my own hands.

This was a place full of memories of all the good times you had with the people I love. I realized that these emotional associations are real bricks and mortar of my experience of "home".

Obviously if you think about it. A robin takes great care to build a nest and guard jealously until her chicks have flown. So, what is most precious nest only a pile of sticks. We humans are not very different.

A house is a material object. A "home" is the heart.When people are looking for a new space of life are really looking for how the new space "feels" and how well they conform to reality every day of their lives, and values that are important for them.

With this fundamental understanding to guide the way, I started looking for a technology to discover the characteristics of the emotional architecture of my clients. I thought that if a designer could discover the emotional associations of his client, who would discover powerful tracks to create a design that illusory experience and individual we call "home."

Now, years after I had that realization first, finally 'm nearing my goal. The human mind is complex, and my skills and training are limited, but after years of research and working with clients, I developed a systematic process that combines psychological testing and architectural programming in a way that really identifies what specific characteristics of a house to inspire a person or family to "feel at home."

But before you brag about my achievement, we consider critical. What exactly is the advantage of knowing itself what characteristics of a building or site will inspire you to feel at home?

In his book The Timeless Way of Building, Christopher Alexander says "the precise nature of which a building or a city can be alive or dead. To the extent that they are alive, allowing our inner forces loose and made us free, but when they're dead that keep us locked in internal conflict. "

Mr. Alexander said that the architecture theory gains reflecting the vitality of the behavior patterns of those who inhabit it. In other words, the day day the repetitive actions, events and activities of human beings naturally organize the space in a way that is healing and nurturing. When you take into account these patterns, he suggests, we have the kind of architecture that now fills our cities ... dead boxes, mechanical, impersonal and cold. If humanity is possible, as Mr. Alexander believes, to bring the architecture? then I think the unconscious world of emotion that lives within us must be a primary source for much of our design criteria.

In our firm, our clients make it clear that a successful design is the result of good partnership between designer and client. My partner and I know much more about architecture and construction of our clients, but our clients are the experts on their own values, tastes, lifestyle and budget. A and again however, we find that clients approach us with a broad set of assumptions about the cost and design assumptions that are often poorly based on facts. These misconceptions tend to color their requests, often causing them to misrepresent their needs.

In other words, people think that knows what he wants, but are often wrong about the important parts of it. Eventually we found it important to serve as a "devil's advocate" and challenge the preconceptions of our customers, if we were to really discover your most basic priorities. It soon became apparent to us that if we were sincere to try to reach these deeper problems of our customers, not only to impose our own design ideas they would have to take them on a journey of discovery.

Each person has a unique relationship with the aesthetics of space and form on the basis of a number of factors, most of whom are unconscious and purely emotional. If these elements can be identified and included in its design, who feel psychologically more comfortable in their new space.

The reason we believe this is that modern neuroscience has proven to be true actually.

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Here are some facts about how your brain works that illustrate what I'm saying. Modern neuropsychology suggests that less than five percent of human actions are determined by planned and conscious thought. The remaining 95% of human behavior is strongly affected by the emotion, sensitivity (sensory and somatic), and other unconscious influences.

Decisions about households are especially vulnerable to these kinds of "irrational" of households served as an ancient and instinctive function of human life, which has considerable support cultural unconscious and instinctive.

In actual practice, although praise consumer rationality by changing your living space, its decisions are heavily influenced by factors outside their awareness. They are motivated by environmental stimuli or developmental instinctive in the memory associated with past experiences. The memories and instincts neurotransmitter obtain and / or hormone stimulates emotional response.

In other words, they do most of their decisions based largely on how they feel reasonably safe while they are doing reflective rational, conscious of the choices.

The evidence for this is that the industry of home improvement in the U.S. is perennially the largest source of consumer complaints by industry sector. Many of these issues are issues that are caused by the fact that designers and contractors all understand the real objectives of their clients.

Real estate agents - despite its central role in the largest sector of the U.S. Economy outside the government - are consistently rated among the "least trusted" professionals nationwide. According to a May 2006 survey by Harris Poll, only 7% of respondents feel confident goods agents altogether, while 20% not trust them at all. Among the 13 types of professional advice broker trust was only lower than that of the real estate agents. Why? Because the agents and their clients to ignore the deep subconscious and emotional objectives that create the "buying decision".

Construction of houses custom and home improvement sectors are highly fragmented and inefficient given the vast scope of its activities. Building a house often involves one more number of twenty or more different plants and utilities - all with separate management, employees, policies and procedures - that are directly involved in the manufacture of a single small building. Hundreds and even thousands of products in question, most with a great overlap in their functions. No other industry height that has escaped from what is usually inevitable centralization of suppliers in the market, despite the obvious economic advantages involved. Most consumers now assume it is not holistically address the deterioration in its living space and mostly, they're right.

On the domestic front, interpersonal problems between co-inhabitants in the planning and construction of projects of home improvement are as common as to reach the threshold of legend. All the world on the street knows someone or has heard of someone who had a trauma or at least highly stressful experience with the construction or improvement of housing.

Couples are often unaware of the impact on small architectural incompatibilities in their relationship. Sometimes I tell a story about a couple for whom he designed a project for some time. It is an addition that included a master suite. As I often do when designing a master bath for a couple, who had drawn a vanity with "his and her" sinks. They liked the design, but she assured me she did not need to go to the expense of having a separate receiver installed in the bathroom. She said they were accustomed to a single sink and that was all they needed. I played devil's advocate and started to ask about their habits in the morning.

After a while, I discovered there was an argument nearly every day while preparing for work. However - explained Women - its conflict has nothing to do with the sink. It was because of her husband. He always left his beard in the basin, when he shaved! None had been able to see it is much easier to add a sink to a bathroom to change habits of a couple! That may seem obvious, but I found that such omissions are common.

Almost all of us find it difficult to separate the forest from the trees when it comes to our neighborhood. In the same vein, I had a client who refused to design properly stored, because his wife "pile of things all over anyway." That is what he calls a "self-fulfilling prophecy. All this tumult, inefficiency and disorganization is due in large part by a misunderstanding about the true character of a house. A house is not a building. This is a set of emotional experiences. The old that "a house not a home", illustrates this.

Intuitively, people are aware of this reality, but in general business practice, this fact is ignored. For years we have offered to the methods we learned in our company to resolve this issue at a workshop called Truehome, but now we've created a network-based automated software products. My partner and I were about to offer consumers and professionals the fruits of almost a decade of work. Now we can predict in every individual and family, which features of the architecture, location and style of a house really produce for them the experience emotional home.

That experience is close to the heart, closely related to safety and comfort and family. Complicated emotions come into game where the question of the house is on the table. Decisions on design and cost of our homes are often the single most important financial decisions of our lives.

The pressure is on when taking on a big project. The emotional fire is hot. Construction and remodeling of our homes may lead considerable strain. But the story can have a happy ending. Sometimes dreams do come true ... and dream homes. In our heart is a special place. Surrounded by memories, special accessories and prints like that create our emotional architecture ... is a warm and comfortable shelter waiting to be discovered.

It's called "home."

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